When the genteel masses aren’t using their cathedrals to assuage their barely-audible consciences the real truth tellers and worshipers will fill their walls with beauty and hope, stealing the scraps of joy on the floor below the table.
I’ve spent many hours this last week with his latest release Motorcycle Madness (‘25), and his 2021 record The Monster Who Hated Pennsylvania, specifically the tracks Joseph Billy Gwin (‘25) and Johnny Caravella1 respectively, but I finally clicked on Live at St. Mark’s Cathedral because that cover photograph and it has not disappointed.
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All is not lost even if you’re without a direction /Just stick around till the light pushes into the darkness ↩